The Wampler Pedals Paisley Drive is a dual-channel overdrive pedal designed in collaboration with Brad Paisley. This pedal delivers clean tones, crunchy overdrive, and a fluid tone for soloing, making it versatile for various musical styles. Hand-made in the USA, the Paisley Drive features high-grade components, true bypass switching, and Presence and Mid Contour controls. It aims to emulate the sound of an overdriven amp, offering both clean and high-gain tones. This pedal is the result of a collaboration with Brad Paisley to create the perfect overdrive, building on Wampler's experience with other pedals like the Ego, Underdog, and Faux Analog Echo.
It's true, at a gig Brian once threw a modified pedal at the feet of Brad Paisley in the hope that he would pick it up and try it. Fortunately for us, and you, Brad’s tech picked it up, played it - digged it and gave it to Brad who took it away and LOVED it. From that point on, he has used and loved Wampler Pedals.
After a few years of using our pedals (Ego, Underdog and Faux AnalogEcho) Brad’s tech at the time, Chad, mentioned to Brian that Brad wasn’t 100% content with his tone and maybe we should all work together to make the perfect overdrive for Brad to record and tour with. His requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal!
Over a period of months, Brian made some circuits and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when official “prototype v2.0” landed, it went straight into the live rack and out on the 2010 “Brad Paisley: H20” world tour.
Brad Paisley: “…we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I’ve got and compared the sound of the distortion and it was very, very similar. And that’s a very good test because any time a pedal can mimic a great overdriven amp then you’re on to something…”