The Dunlop Justin Chancellor Cry Baby Wah is a multi-effect pedal designed for bass, combining a custom midrange filter, wah circuit, and vintage fuzz. This signature pedal offers a range of sonic options for crafting sounds, including both U.K. Filter and Wah modes, alongside a fuzz effect inspired by the Tone Bender. Known for its versatility, it lets players easily switch between filter, wah, and fuzz effects, perfect for crafting tones and creating soundscapes.
The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.
Guitarists praised the pedal's three effects: wah, fuzz, and filter, finding them easy to use and effective. Reviewers highlighted the pedal's versatility for both prog and doom genres, noting the controllability of the fuzz and the ability to create ambiance with the wah. However, some users cited quality issues and the high price as drawbacks. Overall, the pedal's sound and tonal options received positive feedback, though build quality concerns were raised.